Etching with black ink printed on paper of a bare tree with intricate branches, on a textured background.

Elisabeth Myers

As a printmaker, I explore and celebrate the material substance and iterative process of printmaking. Beginning with figurative subjects, often captured from life, I evolve each image through successive cycles of drawing, abstraction and conversion to new substrates.

Balancing traditional intaglio techniques with experimentation, I actively embrace the physical idiosyncrasies of the medium, welcoming the textures of unpolished plates and handmade papers. I preserve pentimenti and incidental marks as a visual time-lapse, transforming the evidence of hesitation, thought, and physical labor into a vital component of the final image.

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Current and recent exhibitions:

113 Annual Allied Artists of America Exhibition
AlliedArtistsofAmerica.Org September 1, 2026 - September 1 2027

Extreme Pressure 3rd Biennial of American Prints: Webber Gallery - College of Central Florida.
Ocala, Florida. August 3 - September 11, 2026

The National Association of Women Artists Juried Exhibition: Summer Small Works 2026.
TheNAWA.org. July 1 – July 31, 2026

Jackson’s Art Prize 2026 - Extended Longlist.

Etching of a crouched figure on a rough, cracked ground.
A sepia-toned landscape engraving and monoprint of a group of trees, with a road, hills and leafless trees in the background.